As young, budding singers, we learn and develop our voices by imitating
others. I remember listening to Linda Ronstadt and Ella Fitzgerald records
and playing them over and over until I felt I mastered (or at least got
close to) every lick or inflection or sustained note they executed so
well. Now I see kids at my shows who sing along with my own songs and
mimic my phrasing and style just like I did with singers I admired. (What
a good feeling!) Emulating other artists really is a great way to ripen
the voice and work on your chops.
However, as you progress in your singing, it's important to realize
that there's no other singer out there in this teeming-with-talent world
who sounds exactly like you--and that's a beautiful thing. We all have our
own individual sound and style and offering; when you discover that, you
start being recognized as an artist in your own right.
Finding your voice is a noble quest. Those who are born with a very
distinguishing quality or tone may come by it more easily, and the
characteristics that set singers apart from one other may be more obvious
in some than others. For example, Chrissie Hynde's vibrato is a trademark
for her, whereas Jakob Dylan's (and dad Bob's) tone is one of a kind. But
it goes beyond sound; some singers who may not have such an unusual vocal
quality have developed an identifiable style. There's the gliding,
conversational style of Joni Mitchell, or the tasty mix of chest and head
voice and air that Sarah McLachlan uses so effectively.
Pulling Off the Covers
If you're working in a cover band, of course, the tendency is to
imitate the artist you're covering, and for the most part, that's what the
audience wants to hear. But it's OK to weave in your own personality and
interpretation of the song, and to find a way to deliver it that speaks in
your "voice." Doing a Mariah Carey tune can be a challenging feat for many
singers, given her lofty range and vocal calisthenics. Don't feel like you
have to attempt to do all or any of the licks she pulls off. If you're
shaky at it, skip it--it's better to nail the pitch and deliver the song
with conviction than to slip and slide through vocal gymnastics that
aren't "you."
Finding Where You Shine
Being in a cover band is great for finding where you shine. Singers
need to try a bunch of different styles and listen to an endless variety
of music, and soak it all in. It's almost like the "you are what you eat"
concept; we can develop our own style by combining those that we feel most
akin to. Also, be honest with yourself. If you aren't really slick at
singing a specific style like R&B, let it go. Don't try to be someone
you're not. If you have to cover tunes in a genre that isn't your strong
area, fine--give it your best and sell it in your own way. But as an
artist, be real.
Owning the Tone
Everyone is born with a certain "sound" to their voice. Many people
sing similarly to the way in which they speak; others can talk in a mousy
little voice and then belt out a wide-angle tone as if they're channeling
someone else. Maybe you have a lot of grit and girth to your voice, so
singing the blues or bluesy rock might be a better road than trying to be
a convincing jazz singer. If people say that "your voice really reaches me
when you're singing high and light," then don't try to be Janis Joplin.
Honing the Style
If you write and/or perform original material, it's easier to develop
your own vibe or style because it's something you're creating from inside.
But even in this situation, there's a great deal of discovery. Are you
trying to wail like Rod Stewart or Kurt Cobain when your music and voice
speak more like James Taylor? As an artist, what story are you trying to
tell? Is your vocal delivery telling it in the most effective way?
It's helpful to record yourself at many different types of gigs (more
on this in my next column). Find the good stuff, the areas where you sound
most "at home," and build on that. Where does your voice really start to
sparkle? On what songs, in what range? I'll say it again: Don't limit
yourself, just make the most of what you have.
Of course, we can and should constantly work to improve our voices--the
sound, the versatility and the ability. And it is important to be somewhat
like a chameleon in the music world. But the more you identify yourself
and find your own voice, the more people will see you as an artist and a
musician.
Debra Davis has honed her style singing the gamut of gigs and
performing her own songs from her debut CD, Uninvited Guests,
available in retail stores nationwide and on the
Internet.